Truly, Madly, Deadly: The Unofficial True Blood Companion is at once an introductory guide to the first two seasons of HBO's immensely popular vampire series True Blood, and an all-in-one treasure tomb for the "truest" of fans. Created by Alan Ball, the Oscar-winning writer of American Beauty and creator of HBO's cult ensemble sensation Six Feet Under, in 2009 True Blood surpassed The Sopranos as the largest ever audience for a cable show at over 12.4 million viewers a week, relaunching the career of Oscar winner Anna Paquin, and introducing international audiences to Stephen Moyer, Alexander Skarsgård, and Ryan Kwanten, to name only a few of the award-winning cast.
This book offers in-depth biographies of each major cast member, along with pictures and fan quotes; guides to each episode along with a host of fun facts and behind-the-scenes anecdotes; sidebars providing additional cast or character info; full chapters, which tackle some of the greater underlying themes of True Blood such as the paranormal and the politics of race, sexuality, and gender; an overview of literary and cinematic vampires; an in-depth look at how social media has contributed to the success of the show, including interviews with the Twitter True Blood players; tributes to the supporting cast, including an interview with Kristin Bauer (Pam Ravenscroft); and an exclusive interview with, and introduction to, Charlaine Harris, author of the bestselling Sookie Stackhouse novels, on which the series is loosely based.
Long after his death, Glenn Gould still lures new listeners to his piano, connecting with them on a haunting, personal level. "He feels and you feel," says young New York writer Nicole Spectre. "I can feel his pain and joy - it touches me. He speaks directly to me."
But when he was known as the world's greatest pianist in the 1950s and 1960s, just who was Gould playing for? His audience? Himself? His demanding mother? All are likely true, but he was also richly inspired by - and bared his soul at the keyboard to - a secret society of women, the girlfriends who stirred his hard-to-fetch emotions: Franny Batchen, Verna Sandercock, Cornelia Foss, Roxolana Roslak, and Monica Gaylord.
Of the eighteen books and nineteen documentaries by or about the most compelling virtuoso of the twentieth century, none have contained details about Gould's many love affairs and how they affected his life, his music, and his filmmaking. Until now, biographers have tried to explain what came out of the music box, not the engine that drove it. The vault to his private life has remained locked since his untimely death in 1982 because of his obsessions with privacy and controlling his image, the loyalty of his carefully chosen friends and lovers, and the choice that biographers made to focus safely on his music and eccentricities.
The Secret Life of Glenn Gould will be the first true exposé of Gould, who until now has been assumed to be asexual, lonely, and egocentric, by examining his love and soul-mate relationships. His music was twelve-tonal and his documentaries "contrapuntal" - both were filled with overlapping voices - and so was his private life.
