"Dans une atmosphère instable, Alice et Lucy se cherchent, se traquent et se manipulent, jusqu'à ce que le duo devienne duel. Diablement efficace." Clémentine Goldszall, ELLE
« Tangerine un premier roman très bien ficelé, qui intègre haut la main la liste des grandes amitiés tragiques. » Vogue.fr
"La plongée dans l'univers de Tangerine revient à vous couper le souffle, à sombrer dans les profondeurs d'illusions noires. Sans aucune autre forme d'échappatoire." Le JDD
Tanger, 1956. Alice Shipley n'y arrive pas.
Cette violence palpable, ces rues surpeuplées, cette chaleur constante : à croire que la ville la rejette, lui veut du mal.
L'arrivée de son ancienne colocataire, Lucy, transforme son quotidien mortifère. Ses journées ne se résument plus à attendre le retour de son mari, John. Son amie lui donne la force d'affronter la ville, de sortir de son isolement.
Puis advient ce glissement, lent, insidieux. La joie des retrouvailles fait place à une sensation d'étouffement, à la certitude d'être observée. La bienveillance de Lucy, sa propre lucidité, tout semble soudain si fragile... surtout quand John disparaît.
Avec une Tanger envoûtante et sombre comme toile de fond, des personnages obsessionnels apprennent à leurs dépens la définition du mot doute.
Traduit de l'anglais (États-Unis) par Laure Manceau
À propos de l'auteur :
Christine Mangan est diplômée de l'University College de Dublin, où elle a rédigé une thèse sur la littérature gothique du xviiie siècle, et de l'Université du Sud du Maine, où elle a suivi un Master d'écriture. Tangerine est son premier roman.
From the author of the critically acclaimed Tangerine.
"When you learn the truth at the end, you'll want to go back and rethink everything you read before" - New York Times
"A delightfully seductive dance of yearning and suspicion, where the old is always on notice that it must at some point make way for the new" - i newspaper
In Venice, Frances Croy is working to leave the previous year behind: another novel published to little success, a scathing review she can't quite manage to forget, and, most of all, the real reason behind her self-imposed exile from London: the incident at the Savoy.
Sequestered within an aging palazzo, Frankie finds comfort in the emptiness of Venice in winter, in the absence of others.
And then Gilly appears.
A young woman claiming a connection from back home, one that Frankie can't quite seem to recall, Gilly seems determined for the two women to become fast friends. But there's something about her that continues to give Frankie pause, that makes her wonder just how much of what Gilly tells her is actually the truth.
Those around Frankie are quick to dismiss her concerns, citing what took place that night at the Savoy. So too do they dismiss Frankie's claims that someone is occupying the other half of the palazzo, which has supposedly stood empty since after the war. But Frankie has seen the lights across the way, has heard the footsteps too-and what's more, knows she isn't mad.
Set in the days before and after the 1966 flood - the worst ever experienced by the city of Venice - the trajectory of the disaster that forever altered the city mirrors Frankie's own inner turmoil as she struggles to make sense of what is and is not the truth . . .
"In her taut and mesmerizing follow up to Tangerine, the preternaturally gifted Christine Mangan plunges us into another exotic and bewitchingly rendered locale . . .Voluptuously atmospheric and surefooted at every turn, Palace of the Drowned more than delivers on the promise of Mangan's debut, and firmly establishes her as a writer of consequence" - Paula McLain, author of The Paris Wife
