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Frère Roger, le fondateur de Taizé, a toujours aimé exprimer sa recherche de Dieu sous forme de courtes prières et méditations. Il les lisait lors de la prière de midi à Taizé, qui réunit les frères de la communauté et parfois des milliers de jeunes pèlerins.
Dans ce livre, qu'il avait préparé juste avant sa mort tragique en 2005, frère Roger voulait inviter les lecteurs à laisser croître en eux la simple confiance de la foi et à y découvrir une joie inespérée.
Prières de louange ou simples demandes, expression d'une attente contemplative en dépit des doutes ou des hésitations, ces brefs textes rappellent qu'en chacun est déposé le désir d'une communion en Dieu. Ce désir de Dieu peut éclairer jusqu'aux régions les plus obscures de notre vie.
« Lorsqu'on joue de la samba dans une roda, on rit de sa propre misère. Moi et ma solitude, on se tient par la main, on se fraye un chemin au milieu de la musique, émerveillées de se voir si pitoyables et si magnifiques au même instant. »
Au Brésil, dans les années 1930, une orpheline travaille dans une plantation de cannes à sucre. Sa vie bascule lorsque surgit la fille pourrie gâtée du nouveau propriétaire. Alors que tout les oppose, Dores et Graça se lient et s'affranchissent vite du monde dans lequel elles sont nées. Elles vont vivre une aventure musicale passionnelle, faite de bonheur et de rivalité. L'une possède une voix magnifique, l'autre écrit les paroles. Mais une seule prendra toute la lumière et deviendra une star.
De Rio à Hollywood, du fado à la samba, à mille lieues du spectacle conçu pour les défilés de carnaval, L'air que tu respires fait le tableau d'une amitié amoureuse à l'échelle d'une vie et nous invite à réfléchir aux relations qui nous façonnent.
Thomas Pynchon was born on May 8, 1937 in Glen Cove, Long Island, New York. He started his writing career in his high school days, published his early stories in a series of magazines, came to fame in 1963 with his first novel, V., and has since been consistently praised as one of the major American writers of all times. The papers in this volume address all of Thomas Pynchon's works to date, from his earliest production in Voice of the Hamster to Inherent Vice. The collection brings together fifteen specialists from three continents-America, Australia and Europe. They contribute to the current debates on Pynchon's supposed "post-modernism," either by revitalizing established postmodern critical perspectives and applying them to seldom read texts, or by reappraising Pynchon's fiction within broader literary and philosophical contexts. Though individual approaches vary, common concerns are expressed, among which a marked interest in the reappraisal of ethical and political dimensions, as well as a focus on the questions of return and the potential emergence of the new out of the old.
Les secteurs de l'édition du scolaire et du parascolaire sont dissemblables sur bien des points. L'Education nationale est le prescripteur du premier, tandis que le second répond davantage aux attentes des parents d'élèves. Si les logiques d'investissement sont différentes, les deux secteurs doivent aussi s'adapter aux défis du numérique.
'The great English novelists are Jane Austen, George Eliot, Henry James and Joseph Conrad.'So begins F. R. Leavis's most controversial book, The Great Tradition, an uncompromising critical-polemical survey of English fiction, first published in 1948. Leavis makes his case for moral seriousness as the necessary criterion for an author's inclusion in any list of the finest novelists. In the course of his argument he adds D. H. Lawrence to the pantheon, and singles out Hard Times as Dickens' one 'completely serious work of art'; while Lawrence Sterne, Henry Fielding, and James Joyce are among those weighed in the balance and found wanting.'[Leavis] gave one a new idea of what it meant to read... the whole business of criticism acquired a new and exhilarating quality.'Frank Kermode, London Review of Books
F. R. Leavis was the chief editor of Scrutiny, which between 1932 and 1953 had some claim on being the most influential literary journal in the English-speaking world.The Common Pursuit is a selection of Leavis's essays from Scrutiny, including his robust defence of Milton against T. S. Eliot, his deeply-felt engagement with Shakespeare, and his severe strictures on attempts to import sociology and political activism into the study of literature.The title of the book comes from a passage in Eliot's 'The Function of Criticism', in which the poet argues that the critic must engage in 'the common pursuit of true judgment'. For Leavis, this meant a strenuous insistence on discriminatory criticism - clear statements about what is good and morally mature and admirable, and equally clear condemnation of what is trivial. The Common Pursuit, with its controversial judgments of Bunyan and Auden, Swift and Forster, remains as challenging now as it did in 1952, and it is easy to see why Leavis - who was never offered a professorship by Cambridge University - held such sway over the study of English literature in his time.
In The Great Tradition, published in 1948, F. R. Leavis seemed to rate the work of Charles Dickens - with the exception of Hard Times - as lacking the seriousness and formal control of the true masters of English fiction.By 1970, when Dickens the Novelist was published on the first centenary of the writer's death, Leavis and his lifelong collaborator Q. D. (Queenie) Leavis, had changed their minds. 'Our purpose', they wrote, 'is to enforce as unanswerably as possible the conviction that Dickens was one of the greatest of creative writers . . .'In seven typically robust and uncompromising chapters, the Leavises grapple with the evaluation of a writer who was then still open to dismissal as a mere entertainer, a caricaturist not worthy of discussion in the same breath as Henry James. Q. D. Leavis shows, for example, how deeply influential David Copperfield was on the work of Tolstoy, and explores the symbolic richness of the nightmare world of Bleak House. F. R. Leavis reprints his famous essay on Hard Times, with its moral critique of utilitarianism, and reveals the imaginative influence of Blake on Little Dorrit. Q. D. Leavis contributes a pathbreaking chapter on the importance of Dickens's illustrators to the effect of his work.
When the young and ambitious Doctor Paul Clément takes a job at a mission hospital on Saint Sébastien he has dreams of finding cures for tropical diseases. What he finds is a place where the black arts are just a way of life. After witnessing the ritualistic murder of a young boy who was allegedly already dead, he is warned never to speak of what he has seen. Back in Paris, Paul’s attentions turn to studying the nervous system and resuscitation using electricity. Paul is told of patients who have apparently died, been brought back to life, and, whilst they lay between life and death, witnessed what they believed to be Heaven itself. Using forbidden knowledge he swore never to use, he attempts to see what everyone else has seen, but something goes wrong. When Paul returns to the living could it be possible he brings something else back with him, an unspeakable evil so powerful it can never be banished? Is this paranoia, a madness slowly consuming him, or has Doctor Paul Clément witnessed Hell itself…?
Once you've heard them, you'll never forget them . . .In the scorching summer of 1976 - the hottest since records began - Christopher Norton, his wife Laura and their young daughter Faye settle into their new home in north London. The faded glory of the Victorian house is the perfect place for Norton, a composer of film soundtracks, to build a recording studio of his own.But soon in the long, oppressively hot nights, Laura begins to hear something through the crackle of the baby monitor. First, a knocking sound. Then come the voices . . .
As haunting as Susan Hill's The Woman in Black and as dark as James Herbert's The Secret of Crickley Hall, F. R. Tallis's The Sleep Room is where your nightmares begin . . . When promising psychiatrist, James Richardson, is offered the job opportunity of a lifetime, he is thrilled. Setting off to take up his post at Wyldehope Hall in deepest Suffolk, Richardson doesn't look back. One of his tasks is to manage a controversial project - a pioneering therapy in which extremely disturbed patients are kept asleep for months. As Richardson settles into his new life, he begins to sense something uncanny about the sleeping patients - six women, forsaken by society. Why is the trainee nurse so on edge when she spends nights alone with them? And what can it mean when all the sleepers start dreaming at the same time? It's not long before Richardson finds himself questioning everything he knows about the human mind as he attempts to uncover the shocking secrets of The Sleep Room . .
Government responses to terrorism can conflict with the protection of human rights and the rule of law. By comprehensively looking at all aspects of counter-terrorism measures from a comparative perspective, this book identifies best practices and makes clear recommendations for the future.
Most countries implement social protection programs to help individuals manage risks such as unemployment, disability, illness, longevity or death. In many middle income countries, these are often based on a 'Bismarckian model' (named after Otto von Bismarck), where benefits are financed by contributions levied on salaried employment. In countries with a large informal sector, however, only a fraction of the population is covered by this system and non-contributory
programs have been added or are planned to increase coverage. This can create distortions in the labor market, and the book is about policies to expand the coverage of social insurance programs to all workers, without reducing incentives to job creation and formal work.
While few would argue against the need and social merits of social insurance and social assistance programs there are growing concerns about their unintended consequences on labor markets because of poor design. The programs can distort incentives and individual behaviors in ways that either reduce employment levels and/or promote informality, ultimately affecting productivity and economic performance. For instance, high social security contribution rates can reduce formal employment; badly
designed unemployment benefits can reduce incentives to keep, search, and take jobs; and fragmented social assistance programs can become a tax on formal labor and encourage informality.
The book reviews the evidence regarding the effects of social insurance and social assistance programs on labor market outcomes and discusses options to improve their design and implementation. The book focuses particularly on middle income countries in Latin America and Asia with a large informal sector and suggests ways to reduce these distortions and better manage and finance the subsidies to make coverage universal, while creating good jobs. The book compiles expert papers from the joint
conferences of the World Bank (WB), the Institute for the Study of Labor (IZA) and the Inter-American Development Bank (IDB) on Employment and Development.
It is difficult now to imagine the shock that this book caused when it was first published in 1932. The author was a teacher at a Cambridge college, an intensely serious man who had been seriously wounded by poison gas on the Western Front, and he was not disposed to suffer foolishness gladly. His opening sentences were arresting: 'Poetry matters little to the modern world. That is, very little of contemporary intelligence concerns itself with poetry'.What followed was nothing less than the welcoming of a revolution in English verse, set against the moral and social crisis that followed the trauma of the First World War. It was this situation, this feeling of breakdown and disorder, that gave such force to Leavis's dismissal of most late Romantic poetry and his welcoming of the modernists T. S. Eliot and Ezra Pound, and of the writer who Leavis regarded as their forebear, Gerard Manley Hopkins.The tone of high moral urgency, and the message that the experience of literature could become an engagement with life that was almost a secular equivalent to religion, seemed new and abrasively refreshing. Leavis despised the reigning dilettantism in both poetry and criticism, and in this book he threw down the gauntlet to the establishment as he understood it. In the same year he founded the journal Scrutiny, and began his long career as the most formidably serious literary critic of his time.
School Social Work: An Evidence-Informed Framework for Practice offers school social work students and veteran practitioners a new framework for choosing their interventions based on the best available evidence. It is the first work that synthesizes the evidence-based practice (EBP) process with recent conceptual frameworks of school social work clinical practice offered by leading scholars and policymakers. Many other books on EBP try to fit empirically validated treatments into practice contexts without considering the multiple barriers to implementing evidence-based practices in places as complicated and multi-faceted as schools. Additionally, there are vital questions in the literature about what the best levels for intervention are in school social work. Responding to the complexity of applying EBP in schools, this volume offers a conceptual framework that addresses the real-world concerns of practitioners as they work to provide the best services to their school clients. For each domain of school social work practice, the authors critically review interventions, presenting the current research with guidelines for addressing such implementation issues as cost, school culture, adaptations for special populations, and negotiating multiple arenas of practice. In addition, the chapters are grounded in the process of evidence-based practice, illustrating how school practitioners can pose useful questions, search for relevant evidence, appraise the evidence, apply it in keeping with client values, and monitor the results. Written by four school social work scholars with over four decades of theoretical, research, and practice experience, this volume will be relevant to both research faculty studying school social work interventions and students learning about school social work practice.
Far from the vision of popular actors in the popular economy as reactionary and archaic, stubbornly resisting any move towards change, this books overall aim is to contribute to a broadening and deepening of our understanding of the logic and socio-economic practices of those operating in the informal economy. It focuses on the vulnerabilities of these participants, resulting from high exposure to different risks combined with low social protection, and on theinteractions between vulnerability and poverty. It considers security of livelihoods as the guiding principle for multiple practices in the informal economy. Thirteen studies, based on careful analyses of empirical data in different contexts in Africa, Latin America, and Asia, contribute to thismultidisciplinary discussion.This book describes how people develop their own strategies to solve their problems through the use of interpersonal networks, associations, and other community-based arrangements. Moreover, it shows that informal economy actors systematically reposition themselves vis-à-vis the State, markets, international, and national policies with the aim of enhancing their economic and social security, and they may do this either individually or collectively. The book emphasizes how adaptability ofthe informal economy can be influenced by such factors as the macroeconomic context, access to financial, technological, and information resources, infrastructure, social protection schemes, and the institutional environment within which adaptations occur. Case studies stress the need to reformulatequestions relating to policy intervention based on a more thorough understanding of the perspective of informal economy actors.
Not all those on board are invited . . .1941. A German submarine, U-330, patrols the stormy inhospitable waters of the North Atlantic. It is commanded by Siegfried Lorenz, a maverick naval officer who does not believe in the war he is bound by duty and honour to fight in. U-330 receives a triple-encoded message with instructions to collect two prisoners from a vessel located off the Icelandic coast and transport them to the base at Brest, and British submarine commander, Sutherland, and an Norwegian academic, Professor Bjornar Grimstad, are taken on board. Contact between the prisoners and Lorenz has been forbidden, and it transpires that this special mission has been ordered by an unknown source, high up in the SS. It is rumoured that Grimstad is working on a secret weapon that could change the course of the war . . . Then, Sutherland goes rogue, and a series of shocking, brutal events occurs. In the aftermath, disturbing things start happening on the boat. It seems that a lethal, supernatural force is stalking the crew, wrestling with Lorenz for control. A thousand feet under the dark, icy waves, it doesn't matter how loud you scream . . .
Ce numéro de printemps fait état d'une embellie du cinéma québécois. Plusieurs réussites sont à célébrer : en film immersif, en documentaire (Combat au bout de la nuit de Sylvain L'Espérance, Gulîstan, terre de roses de Zayne Akyol), en ovni historique (Le Cyclotron d'Olivier Asselin), sans oublier la fresque-événement de Mathieu Denis et Simon Lavoie Ceux qui font les révolutions à moitié n'ont fait que se creuser un tombeau. Également au menu, un portrait et entretien avec le cinéaste israélien Nadav Lapid et l'inauguration d'une nouvelle chronique pour 2017 : Montréal et cinéma, carte blanche pour célébrer le 375e anniversaire de la ville. Le numéro est accompagné d'un DVD rassemblant sept des courts-métrages québécois les plus marquants des deux dernières années, aussi réunis en table ronde. Peut-être la meilleure façon de faire connaissance avec les créateurs de la relève de notre septième art?
Ce chapitre Californie est issu du guide consacré à la destination Ouest Américain.
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